feminine, honey bees, sacred Ari Daly feminine, honey bees, sacred Ari Daly

A Walk Through an Herbalist's Garden

Melissa bends low and plucks a small herb growing out of the cobble stones in front of her house.  She holds it up to the light and shows me the tiny perforated holes in the leaves.  

“That’s how you can tell it’s the medicinal St. John’s Wort.”

 

 

Note: Melissa is a fictitious name to respect anonymity of person and place.  The name 'Melissa' translates to 'honey bee'.  No photos were taken on location.

 
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Melissa bends low and plucks a small herb growing out of the cobble stones in front of her house.  She holds it up to the light and shows me the tiny perforated holes in the leaves.  

“That’s how you can tell it’s the medicinal St. John’s Wort.”

She presses the sample in between a card about the medicinal properties of St. John’s Wort and offers it to me.  

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Melissa is a licensed herbalist living in a serene tucked-away valley in Southwest England.  Her practice and gardens sit on one side of a happily meandering river, and on the other, there are two hives of bees.  We stand in the early morning sunlight, watching the bees from the opposite side of the river.  I don’t have to ask to know we wont be going any closer.  These bees are to be left undisturbed.  They are part of the land, as much as the hazels and the stones.  Melissa regards them with an appraised respect.  She never goes into the hives, and clearly does not keep bees for the purpose of harvesting and selling honey.  The bees are part of the land and the land is rich with the plants that heal.  They are wild hives.

    Melissa takes us past the historical stone building on the property and into her gardens.  She is wearing sturdy trousers, wellies and a thick wool sweater with a leather tool belt strapped around her waist where she can store her clippers and garden shears.  She is every inch the embodiment of wise, practical and earth-centered.  When we contacted her to find out if we could meet, she expressed that to visit is really about visiting the land, and since she lives on the land, she is more an aspect of the land itself.  

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After the bees, Melissa takes us by her wild garden.  Once again, she doesn’t explain much, other than it is wild.  I am reminded of a saying I once heard.  “Always leave a part of your garden wild for the fairies."  In this case, I think the fairies are the spirit of the land itself, the devas of the trees and river, made manifest in freely growing flowers and medicinals.  It is a sage practice in that it honors both yourself as steward of place, and the land in its wild, infinite wisdom.

We pass through a bower and along the circuitous “rows” of her cultivated herb garden.  I see carpeted thyme, raspberry, lavender and hawthorne.  There are apple trees endemic to the valley, so old I feel like bowing to them.  She teaches us the best way to pick apples and we harvest a pile of “cookers” and a pile of “eaters” to take home.

“You know an apple is ready to pick if your twist it, ever-so-gently, and it comes away. Never pull it.” 

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Inside her workshop, the light is dim, creating an immediately hushed, cosy environment.  Here we find the transformation of her labors with the land into herbal medicines.  On the table illuminated by a shaft of filtered light, is a large round basket of drying nettles.  Nearby sits another basket fill with some kind of root, and above, herbs drying in bunches.  Along the walls are bags and bags of neatly arrange herbs, and in the corner, there is a hearth with a kettle.  Only in my dreams have I ever seen such a place.  It is at once ancient and modern.  I feel awed by the complexity of knowledge Melissa clearly possesses, while at the same time, comforted by the simplicity of being with the plants. 

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When speaking to her, I feel as though I am speaking to the voice of the valley.  There is a deep listening in her presence that found often among those who live close to the earth.   A listening that is more difficult to cultivate in our urban, technology-driven lives, but still possible.  To listen deeply is to see true.

As someone who is currently not rooted to any one place, and is ultimately seeking a home (even if it’s more than one home in more than one country!), I find myself thinking about what it means to be truly rooted to a piece of land.  I am lucky to travel the world and fall in love with landscape, people, cities and communities everywhere.  I root myself in the act of being as present as I possibly can wherever I am.  I am by no means a master as such things; that’s why it’s called a practice.  In doing so, there are certain landscapes, just like certain people, that our bodies resonate to.  Place where we receive an internal yes that has very little to do with the mind, and everything to do with the land.  Earth reaching up as the body reaches down.  How must it feel to know one piece of land so intimately that each flower, each root, each passing of the seasons becomes an extension of the self?  The self becomes a reflection of the land: moulded, tempered and transformed. 

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I leave you with this quote by John Seymour, author and pioneer in self-sufficiency and environmental awareness:

The ‘owner’ of a piece of land has an enormous responsibility, whether the piece is large or small. The very word ‘owner’ is a misnomer when applied to land. The robin that hops about your garden, and the worms that he hunts, are, in their own terms, just as much ‘owners’ of the land they occupy as you are. ‘Trustee’ would be a better word. Anyone who comes into possession, in human terms, of a piece of land, should look upon himself or herself as the trustee of that piece of land - the ‘husbandman’ - responsible for increasing the sum of things living on that land, holding the land just as much for the benefit of the robin, the wren and the earthworm, even the bacteria in the soil, as for himself.
— John Seymour
 
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An Apiary in the Hedgerows

Angharad has just returned from a walk with a handful of blackberries, elderflowers, nettle and apple.  She is going to make a fruit crisp and some tea. Three things about this:

1) Angharad wildcrafts like some people (me) frequent cafes; It’s a nonchalant, every-day sort of thing.

 
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Angharad has just returned from a walk with a handful of blackberries, elderflowers, nettle and apple.  She is going to make a fruit crisp and some tea. Three things about this:

1) Angharad wildcrafts like some people (me) frequent cafes; It’s a nonchalant, every-day sort of thing.

2) She doesn’t have to do so with the fear that someone will run her off with the right to bear arms and an angry dog.  Novelty.

3) She found bee hives.

An apiary to be exact.  The next farm over, near some old rows of sunflowers and leeks. 

But first things first.  Angharad is one of my English bee sisters.  I’ll be saying 'Bee Sister' from time to time, so to be clear, a bee sister is a kindred spirit, Woman of the Bee, and usually also a woman whom I have studied with in England regarding old folk traditions to do with honey bees.  I am staying in a terribly adorable cottage with Angharad and two other American bee sisters while we attend a workshop in Bath.  

Silver Barn Owl Totem by Angharad Barlow

Silver Barn Owl Totem by Angharad Barlow

Angharad is an artist from Devon, a woman of the moors, and a fantastic maker of “worthy” foods: a Devon slang (she says) for particularly extra healthy foods that go well beyond “crunchy granola”, into the realm of hand-ground grains and self-harvested seeds.  Naturally, she found us an autumnal feast of berries.  You can find her art here.

The bee yard she discovered is a colorful haphazard apiary tucked in a circle of evergreens.  The boxes are in different states of age and disrepair, brightly painted and oriented outwards.  Tools and comb carcasses like about, and the bees feel a bit on edge, but healthy nonetheless.  This beekeeper treats the bees.  There are bottles of chemical treatments on the grass.  There is also a hungry, nasty nest of wasp, ever-hunting the weaker colonies.  I imagine this is why the bees feel a bit on edge.

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Wasp are a big problem for honey bee colonies in England.  Most beekeepers I’ve spoken with are used to loosing hives from wasps the same way American beekeepers talk about varroa mites (although England has varroa as well).  In the summer, many beekeepers reduced the entrance to their hive to bee size: just big enough to allow one or two bees to pass through, and allowing guard bees a smaller territory to defend.  Once a wasp gains entry to a hive, it will eat brood, honey and kill bees.  If it makes it out of the hive alive, it is covered with the scent of the hive and the guard bees allow it back in, not realizing it is an imposter.  Entire colonies are taken down in this way.  You can imagine why this apiary may have been a bit more on edge.

There is something so liberating about walking the english countryside.  While I’m sure the local farmer wouldn’t exactly love us ladies visiting his/her hives, the fact that they are just simply there, up the track without a fence, a “keep out,” or a “beware of bees” sign, softens my heart.  This is a country made of up footpaths and hill walking.  I feel simply elated when I see another Public Footpath sign jutting out from the hedgerow.  Like I’m getting away with something every time I pick an apple or strike out across of field scattering timid sheep.  If you pass someone on a walk in the countryside, you always say hello.  It’s neighborly and civil.  I love it.

It’s the same with bees.  Or any being really.  It’s a kindness to say hello.  To introduce yourself.  I said hello to the horses, the sow and her piglets, and to the apiary (to be honest I didn’t say hello to the wasp nest).  It’s more than hello however.  When approaching a hive, it’s a matter of sending love and intention out with the hello.  The hive is a fully conscious, highly intelligent being made up of many many functioning cells, called bees.  It can feel your intentions, your mood, your fear, your anger, your love.  And if you listen you can feel the nature of each hive itself.  

In my case, I noticed the hive I was standing near at the end of my visit felt a little agitated.  It was the hive closest to the wasp nest, so perhaps this is why.  I chose to walk away, but on my way back down the track, a bee got caught in my fuzzy sweater.  Once a bee is caught in your hair or your clothes, they often struggle to burrow in toward the warmth of the skin where they can sting.  Think about their chief predators, bears, skunks and raccoons with thick fur.  I removed the sweater, walked further away from the hives and opened it up to release her.  Unfortunately, she was not happy with the experience and immediately gave me a small sting in the belly before nailing me on the wrist.  

Word to the wise: if you get stung near hives and don’t have protective gear, calmly walk away from the hives so as not to draw attention with the scent of the sting.

Second bit of advice: because I'm not severely allergic, I often try to lay down and let the medicine of the venom do it's thing.  You can too, although, I'm not a doctor, so always use your best judgement.  It is uncanny how often bee stings end up on prominent meridians or places where you’re already experiencing aches and pain.  The potent dose can be quite healing.  In fact, there is an entire modality of healing dedicated to apitherapy and bee venom therapy.

However, if it’s really not your game to lay in the grass and feel the poison move through your body as a healing agent, then you can try all sorts of things to cool and draw the poison like baking soda paste, bentonite clay, honey, raw onion, arnica gel, ice and kisses.

In the meantime, I encourage walking the hills, pinching apples and wandering into secluded apiaries to feel the magic of the bee.

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